The Man and The Crowd (1928): Photography, Film, and Fate
“Make films about the people, they said”, Jean-Luc Godard once quipped, “but The Crowd had already been made, so why remake it?” Gideon Leek rewatches King Vidor’s classic, in which a young man with big dreams moves to New York City and becomes an identical cog who learns to love the machine of modernity. more
The Public Domain Review is dedicated to the exploration of curious and compelling works from the history of art, literature, and ideas – focusing on works now fallen into the public domain, the vast commons of out-of-copyright material that everyone is free to enjoy, share, and build upon without restrictions.
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![[*Door creaks open. Footsteps*]: Fredric Jameson’s Seminar on *Aesthetic Theory*](https://the-public-domain-review.imgix.net/essays/mimesis-expression-construction/5448914830_cc288c2266_o.jpg?w=600&h=1200)
[Door creaks open. Footsteps]: Fredric Jameson’s Seminar on Aesthetic Theory
By meticulously translating his recordings of Jameson’s seminars into the theatrical idiom of the stage script, Octavian Esanu asks, playfully and tenderly, if we can see pedagogy as performance? Teaching and learning, about art — as a work of art? more
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